Who knew Johnny Depp had such a wonderful singing voice! Honestly, now? I thought he was going to be gravely. But he really shocked me when he made such smooth transitions into the concertos. Wonderful visualizations brought to us straight from Tim Burton's German Expressionism roots and Edward Gory start-up. Got to love the Kid, too. I did miss a few of the cut songs that I was looking forward to, but it was a long movie that kept it's pace well without them. And the imaging was beautiful. Not awfully gory for using so much blood and bone crunching. So beautifully dirty, like looking at a charcoal sketch. Helana Cater's part was so passionate and willing, so methodical. She wasn't mad at all, just needed to survive... beautiful in her care for Toby, and vice versa.
I wish I could remember more, but it's been a few weeks since I've seen it. I just remember loving it and thinking, "wow, he can sing!"
Tuesday, January 22, 2008
Thursday, January 10, 2008
An Open Letter to Sci-Fi Channel
Dearest Sci-Fi,
Why are you not way more awesome?
Don't get me wrong, when you're good—like with Battlestar Galactica or Eureka (and I'll even give you credit for Doctor who, despite that being a BBC show you just imported)—you're a phenomenal destination network. But let's be honest here, there's not a lot of "good" on your schedule. The Stargate franchise is stale, Flash Gordon (left) is a derisible, stillborn remake, and ECW Wrestling is…wrestling! (And I swore an oath never to speak of Who Wants to Be a Superhero again.)
The thing that infuriates me is that you have so much potential. We're living in the Age of the Geek, where pop culture has finally come around to our way of thinking. Where the most-watched shows on TV are geek-nip like Heroes, Lost, and Bionic Woman; where we buzz about movies like Pan's Labyrinth, Spider-Man, I Am Legend, and Iron Man. The audience could not be more primed for this material, so why are you offering them Ghost Hunters International and crappy "original movies" like Mansquito?
Again, why aren't you more awesome? After the jump, some friendly advice.
Why aren't you adapting more classic sci-fi texts—like you did with Dune—into miniseries events? (Ones that, hopefully, will fare better than Tin Man.) Where's the Foundation saga, or Ender's Game, or Footfall, or The Man in the High Castle, or The Forever War?
Why aren't you engaging today's premiere purveyors of genre material and giving them ten episodes to do whatever the hell they want? I'd watch contained, BBC-style series from folks like Neil Gaiman, William Gibson, John Scalzi, Cory Doctorow, Warren Ellis, Charlie Huston, Neal Stephenson, or China Mieville. The names alone would attract viewers by the truckload. And even if what they produced were failures, they'd be interesting failures—marked by reaching too far, instead of not far enough.
Why don't you try a daily sci-fi soap opera? Airing late at night, so people could actually be home to watch it—or DVR it. Why can't the same kind of serial storytelling that's worked for 50 years on shows like General Hospital be marshaled to create compelling science fiction? (Actually, I've got to give Evan Narcisse a tip of the hat for this one. Because I'm just that kind of bloke.)
Mark Harris was right when he said that science fiction needed to ditch the nostalgia if it's going to reclaim its integrity. Lucky for those of us who love sci-fi that there's a whole network devoted to it. I just want them to fulfill their mandate.
Imagine that. (No, seriously. Get to work imagining.)
Why are you not way more awesome?
Don't get me wrong, when you're good—like with Battlestar Galactica or Eureka (and I'll even give you credit for Doctor who, despite that being a BBC show you just imported)—you're a phenomenal destination network. But let's be honest here, there's not a lot of "good" on your schedule. The Stargate franchise is stale, Flash Gordon (left) is a derisible, stillborn remake, and ECW Wrestling is…wrestling! (And I swore an oath never to speak of Who Wants to Be a Superhero again.)
The thing that infuriates me is that you have so much potential. We're living in the Age of the Geek, where pop culture has finally come around to our way of thinking. Where the most-watched shows on TV are geek-nip like Heroes, Lost, and Bionic Woman; where we buzz about movies like Pan's Labyrinth, Spider-Man, I Am Legend, and Iron Man. The audience could not be more primed for this material, so why are you offering them Ghost Hunters International and crappy "original movies" like Mansquito?
Again, why aren't you more awesome? After the jump, some friendly advice.
Why aren't you adapting more classic sci-fi texts—like you did with Dune—into miniseries events? (Ones that, hopefully, will fare better than Tin Man.) Where's the Foundation saga, or Ender's Game, or Footfall, or The Man in the High Castle, or The Forever War?
Why aren't you engaging today's premiere purveyors of genre material and giving them ten episodes to do whatever the hell they want? I'd watch contained, BBC-style series from folks like Neil Gaiman, William Gibson, John Scalzi, Cory Doctorow, Warren Ellis, Charlie Huston, Neal Stephenson, or China Mieville. The names alone would attract viewers by the truckload. And even if what they produced were failures, they'd be interesting failures—marked by reaching too far, instead of not far enough.
Why don't you try a daily sci-fi soap opera? Airing late at night, so people could actually be home to watch it—or DVR it. Why can't the same kind of serial storytelling that's worked for 50 years on shows like General Hospital be marshaled to create compelling science fiction? (Actually, I've got to give Evan Narcisse a tip of the hat for this one. Because I'm just that kind of bloke.)
Mark Harris was right when he said that science fiction needed to ditch the nostalgia if it's going to reclaim its integrity. Lucky for those of us who love sci-fi that there's a whole network devoted to it. I just want them to fulfill their mandate.
Imagine that. (No, seriously. Get to work imagining.)
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